Buy Tokina 50-135mm f/2.8 AT-X AF PRO DX Lens for Nikon, With USA WarrantyTokina 50-135mm f/2.8 AT-X AF PRO DX Lens for Nikon, With USA Warranty Product Description:
- Mount availability: Canon EOS, Nikon-D Focal length: 50 to 135mm Maximum aperture: f/2.8 Minimum ape
Product Description
The new Tokina AT-X 535 PRO DX lens (for Nikon) is a 50-135 with a fast constant aperture of f/2.8. This lens gives digital photographers the similar to the industry standard 80-210 telephoto zoom lens in 35mm camera terms but is much more compact and lightweight. The lens features SD glass lens elements to correct for chromatic aberrations and focuses all colors accurately at the film plane, making the AT-X 535 PRO DX an APO lens. The front element has a newly formulated WP or ?Water Proof? optical coating on the glass. This new coating makes marks such as spots left by water or finger-prints much easier to clean than standard multi-coating. Other features include a built-in tripod collar and One-touch focus clutch mechanism for fast switching between auto focus and manual focus modes. Specifications: Mount availability: Canon EOS, Nikon-D Focal length: 50 to 135mm Maximum aperture: f/2.8 Minimum aperture: f/32 Optical construction: 18 elements in 14 groups SD glass: One elements Coatings: Water Proof? optical coating Angle of view: 31? 3? ~ 11? 8? Minimum focus distance: 39.3 in. (1.0m) Reproduction ratio: 1:5.89 Zooming system: Rotary type Number of diaphragm blades: 9 Filter size: 67mm Maximum outer diameter: 3.07 in. (78.2mm) Dimensions: 3.07 in. (78.2mm) X L 5.32 in. (135.2mm) Weight: 29.8 oz. (845g) Lens Hood: BH-671
Customer Reviews
Most helpful customer reviews
14 of 14 people found the following review helpful.
Excellent Purchase!
By D. A. Gwynn
So I was in the market for a zoom lens, but just couldn't decide what to get. I had been researching it online for months, and had pretty much settled on the Nikon 16-85mm VR. I made the move from a D70s to a D200 when they went on clearance, thanks to the arrival of the D300. My 18-70mm kit lens went with my D70s to my wife, and I was left only with my trusty 50mm f/1.8 (which I love!). But I wanted a zoom. And I wanted Quality. But I couldn't afford the much coveted Pro Nikkors. So I was looking for something that was more of a middle ground lens, not cheap, but also not $1800, an area that doesn't really exist with Nikon. The 16-85mm seemed to be the first of its kind. At $699, good optical quality, and a heavtier build that most consumer Nikkors, I thought this was the one for me.Then, one day I stumbled upon this Tokina. And the more I read, the 16-85mm began to fade away in my mind. You mean I can get a pro quality lens with a fixed 2.8 apeture that's built like a tank all for around $500. Where do I sign?!I read what reviews I could find online, and looked at some impressive sample shots. I was even more convinced as I was with the Nikon that this was the lens for me. So I took a chance on it. I could not have been more surprised with what I got.This lens feels professional in every way. It is heavy, stout and everything that moves, moves with finesse and a sense of workmanship. The lens hood is not the most flattering, but it's functional. The push/pull focus clutch is a very nice touch, meaning you can go from auto focus to manual without taking your eye away from the viewfinder.I finally talked my wife into letting me take some photos of her with the new lens, and we were both very pleased with the results. The Tokina was sharp, with great color and contrast, and the bokeh was smooth and creamy. Now this is the only set of photos that I've shot with it, so I can't say how it performs outside this initial portrait set, but I'm very impressed so far.It's kind of cool stepping outside the Nikon bubble and taking a chance on a third party lens. I think I made a good call for what I needed. I am proud of my purchase and can now say that with my D200, SB600, and Tokina ATX 535 Pro DX that I have a pro rig, or as close to pro as I can afford anyway.
11 of 12 people found the following review helpful.
Great Portrait Lense with Some Issues
By Michael Sibley
I purchased this lense specifically for shooting portraits. For that use it's a wonderful lense. Very sharp and easy to focus. I really like the tripod mounting ring because it allows me to switch between portrait and landscape with just a flip of the lense without moving the camera.One issue I have is that when I mount it on a tripod using my Nikon D300 my quick release base blocks access to the wired remote shutter release socket. The only other issue I have is with the butterfly lense hood. It cannot be rotated so the large leafs are at the top when in the portrait orientation. So when I shoot verticals I have very little lense protection from my top light (Hair Light). I replaced the supplied hood with a third party hood which works no matter which way the lense is oriented.
7 of 7 people found the following review helpful.Superb
By Edward G. Dickau
I am a Nikon Photographer and have been since 1958. I am also a lens fanatic when it comes to quality of image, sharpness and bokeh. I have a stable of Nikon lenses ans a growing number of Splendid Tokina optics. This is one. There are no negatives to be offered where this offering is concerned. If it were available in full frame FX format; I would add it tomorrow. The first photos taken were hand held, ISO 200 setting Hummingbirds in flight. It and I nailed every shot.
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